​Lard Fountain (2024) is a kinetic, performative sculpture in which a deformed lard bust—suspended in welded steel stocks—melts under heat triggered by the audience’s presence. The fat drips onto a cast of my own torso below, creating a grotesque anointing that collapses humiliation, spectacle, and soft violence into a single event. Referencing Bataille’s writings on waste and eroticism, medieval torture devices, and the slapstick gungings of 1990s television, the work stages abjection as both absurd theatre and transgressive transformation.

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Three Years was curated by artist and Senior Lecturer, Margarita Gluzberg.